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value | prompt_origin stringclasses 2
values | prompt_path stringlengths 59 86 | whitebox_path stringlengths 61 88 | shot_manifest_path stringlengths 58 85 | references listlengths 2 9 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
3-mins_a_life_screenplay | kitchen_opening_1 | 1 | kitchen_opening | null | beat-1：A brief eye-level medium-wide view holds the table between the camera and Earl, storyteller, with the laptop angled toward him and the failing lamp behind his shoulder. Earl holds the cold cup near his chest; the screen's blue light reaches his bright eyes while the warm lamp struggles behind him. EARL（画外音）: "Se... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_1/shot.json | [
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3-mins_a_life_screenplay | kitchen_opening_2 | 2 | kitchen_opening | kitchen_opening_1 | beat-1：A table-height fixed close-up frames Earl's hand, the chipped cup and the worn wood, with his cardigan sleeve entering from the chair side. Earl pushes the cold tea aside; the cup's base drags softly across the table and stops beside an old cup ring. EARL（画外音）: "Every word of it's true — more or less. Give or ta... | 12 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_2/shot.json | [
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3-mins_a_life_screenplay | kitchen_opening_3 | 3 | kitchen_opening | kitchen_opening_2 | beat-1：A fixed eye-level close-up holds Earl's face in three-quarter view toward the laptop just outside frame. His conspiratorial lean leaves very little space between his face and the near edge of the image. EARL（画外音）: "Where d'you want me to start? The war? Love? Or... the part before I was even born?"
beat-2：A stra... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_3/shot.json | [
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3-mins_a_life_screenplay | kitchen_opening_4 | 4 | kitchen_opening | kitchen_opening_3 | beat-1：An eye-level close-up gently pushes toward Earl's eyes from the laptop side of the table. Earl grins, settles back in the chair, and lets the camera's approach replace his own forward lean; blue light remains clear in his eyes as the background softens away. EARL（画外音）: "Then we start with the part where I wasn't... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_4/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_4/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_opening_4/shot.json | [
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3-mins_a_life_screenplay | the_before_1 | 5 | the_before | kitchen_opening_4 | beat-1：A fixed wide view looks slightly upward into the white central opening, with unlit lamps drifting at several readable depths. A sliver of light gathers into Young Earl, before, barefoot and boyish, floating rather than standing; his body becomes distinct while the surrounding lamps remain dark. EARL（画外音）: "Befor... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_1/shot.json | [
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3-mins_a_life_screenplay | the_before_2 | 6 | the_before | the_before_1 | beat-1：A lateral close tracking view follows Young Earl's hand among neighboring lamp chambers, keeping each touched chamber large enough to read. One lights with fire inside, the next with sea, the next with a woman's face, and the next with an old car; each image is shown in sequence before the hand moves onward. The... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_2/shot.json | [
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3-mins_a_life_screenplay | the_before_3 | 7 | the_before | the_before_2 | beat-1：An eye-level close-up holds Young Earl's face above the selected warm-yellow lamp, leaving white space in the direction of his address. He looks into the empty void, grinning without any angel becoming visible. EARL（画外音）: "The angel asked if I regretted it. I said —" YOUNG EARL: "Regret what? The show's just sta... | 12 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_before_3/shot.json | [
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3-mins_a_life_screenplay | childhood_farm_1 | 8 | childhood_farm | the_before_3 | beat-1：A low medium tracking view travels beside Boy Earl as his bare feet break through sunlit straw along the yard path, keeping his feet and lower legs sharp against the coarse stalks. The straw bends and crackles under him; the camera rises only enough to catch his eager face as he runs past the clothesline.
beat-2... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_1/shot.json | [
{
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3-mins_a_life_screenplay | childhood_farm_2 | 9 | childhood_farm | childhood_farm_1 | beat-1：A low oblique medium view holds Boy Earl squatting at the muddy field margin, with the straw path returning toward the porch behind him. He draws a little boat with a stick; Father kneels beside him rather than towering over him. EARL（画外音）: "Pa didn't say much. But everything he taught me, he taught with the pat... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_2/shot.json | [
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3-mins_a_life_screenplay | childhood_farm_3 | 10 | childhood_farm | childhood_farm_2 | beat-1：A porch-side eye-level medium view holds the family around the rough table, with Mother setting down a bowl of thin porridge between them. Father and Boy Earl face her across the worn tabletop; the pale mixture barely coats the spoons as the three divide it. EARL（画外音）: "Like — how to make not-enough taste like p... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/childhood_farm_3/shot.json | [
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3-mins_a_life_screenplay | war_trench_1 | 11 | war_trench | childhood_farm_3 | beat-1：An eye-level medium tracking view moves slowly along the trench wall toward Young Earl, war, and the stranger crouched beside the dugout recess. Young Earl's ill-fitting uniform hangs heavily with rain; he passes a cigarette to the stranger, their hands meeting over wet knees. Distant shelling stays muffled behi... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_1/shot.json | [
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"sha256": "35e8a47ad91ff1238ff6905477bb25ffdf43338e6fedb2482c8bd09d294bcd57",
"evaluation_role": "generation_only"
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{
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3-mins_a_life_screenplay | war_trench_2 | 12 | war_trench | war_trench_1 | beat-1：A fixed close-up looks obliquely down at Young Earl's hands over the splintered work ledge. He works the bayonet tip into the empty shell casing, carving the little boat and triangular sail from the childhood mud drawing; the metal rasp is small beneath the rain. The completed boat becomes readable before a near... | 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_2/shot.json | [
{
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"sha256": "d311831fbd1e4b3d422cd98f5b456f448e7b330f5ecdda553f0c58088bdf0489",
"evaluation_role": "generation_only"
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{
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3-mins_a_life_screenplay | war_trench_3 | 13 | war_trench | war_trench_2 | beat-1：A low fixed close-up frames Young Earl's rain-wet face beneath the fallen comrade's shoulder, keeping Earl's eyes clear while the shielding body remains a still foreground weight. Young Earl looks toward his friend, the blast's ringing thinning into cold rain. EARL（画外音）: "A friend took that one for me. His last ... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_3/shot.json | [
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"evaluation_role": "generation_only"
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3-mins_a_life_screenplay | war_trench_4 | 14 | war_trench | war_trench_3 | beat-1：A fixed long view looks down the trench passage toward the distant bend, with wet timber and mud occupying more of the frame than Young Earl. He walks away alone, already beyond the dugout recess, and becomes smaller between the rain-dark walls. No new blast interrupts the retreat; rain and his receding boot sou... | 6 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_4/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_4/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/war_trench_4/shot.json | [
{
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3-mins_a_life_screenplay | italian_market_1 | 15 | italian_market | war_trench_4 | beat-1：A brief eye-level medium-wide view establishes Young Earl, postwar, at the bread stall with the produce basket beside his turning path. He buys bread, his hesitant broken Italian indistinct rather than newly scripted; as he awkwardly turns, he knocks the tomato basket over. Tomatoes roll across the worn paving w... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_1/shot.json | [
{
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"evaluation_role": "generation_only"
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{
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3-mins_a_life_screenplay | italian_market_2 | 16 | italian_market | italian_market_1 | beat-1：A fixed medium-close view across the produce corner crops Young Earl and Valentina at the waist, with the recovered tomatoes filling his arms. Valentina drops the last tomatoes onto the pile, including two extra; Young Earl steadies the precarious armful while her smile remains directed at him. EARL（画外音）: "She s... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_market_2/shot.json | [
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{
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3-mins_a_life_screenplay | italian_fountain_1 | 17 | italian_fountain | italian_market_2 | beat-1：An eye-level medium two-shot holds Young Earl and Valentina seated close together on the fountain rim, their knees turned slightly toward one another and the arcade soft behind them. Young Earl takes the shell boat from his pocket and offers it in his open hand; Valentina looks down, and the fountain's water occ... | 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_fountain_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_fountain_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/italian_fountain_1/shot.json | [
{
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3-mins_a_life_screenplay | hometown_dock_1 | 18 | hometown_dock | italian_fountain_1 | beat-1：An eye-level medium tracking view follows Young Earl, return, stepping from the boat's gangway onto the weathered dock, his coat lifted by sea wind. A corner of Valentina's folded letter is visible in his coat pocket; his forward movement stops when an unseen person on shore addresses him. Shore voice（画外音）: "You... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/hometown_dock_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/hometown_dock_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/hometown_dock_1/shot.json | [
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3-mins_a_life_screenplay | empty_family_house_1 | 19 | empty_family_house | hometown_dock_1 | beat-1：A fixed medium-wide view from the straw path holds Young Earl facing the empty house, with the bare clothesline crossing the space beside him rather than hiding the doorway. He stands still before the dark opening, the neglected tractor beyond the yard linking this place to the earlier farm. EARL（画外音）: "I came h... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_1/shot.json | [
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3-mins_a_life_screenplay | empty_family_house_2 | 20 | empty_family_house | empty_family_house_1 | beat-1：An eye-level medium-close view holds Young Earl beside the porch window, with the shell boat on the sill near his elbow. He draws Valentina's letter from his coat and opens it, his lowered face in the same plane as the paper. EARL（画外音）: "Ma moved to the city to mind a grandson — not mine. That's when I learned t... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/empty_family_house_2/shot.json | [
{
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"sha256": "6047316b86d8e93dd5ebf0006fa65b1f5aa3493085ce789c702518cf3e59b9f8",
"evaluation_role": "generation_only"
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{
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3-mins_a_life_screenplay | search_station_1 | 21 | search_station | empty_family_house_2 | beat-1：An eye-level medium tracking view moves beside Earl, seeker, under the station canopy, keeping his tired face and the letter in his hand readable. He reaches the public letter box and posts it, then continues toward the timetable board instead of waiting for a response. EARL（画外音）: "I looked for her a long time. ... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_station_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_station_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_station_1/shot.json | [
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3-mins_a_life_screenplay | search_factory_1 | 22 | search_factory | search_station_1 | beat-1：An eye-level medium view holds Earl, seeker, beside the factory notice wall, facing the dark timekeeper's window across a short stretch of pavement. He searches the posted material with his own worn drawing in hand, finding no person to meet him at the window. EARL（画外音）: "Later by a blurry drawing I made — fatte... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_factory_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_factory_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_factory_1/shot.json | [
{
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"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | search_street_1 | 23 | search_street | search_factory_1 | beat-1：A fixed oblique close-up follows rainwater through layers of "Missing" notices bearing Earl's blurry portrait of Valentina. A loosened edge peels away from the brick and curls downward, leaving an older stained copy beneath; the drawing remains recognizable before water blurs it further.
beat-2：An eye-level medi... | 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_street_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_street_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/search_street_1/shot.json | [
{
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"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | old_archive_1 | 24 | old_archive | search_street_1 | beat-1：A table-side medium view holds Earl, seeker, bent over an open archive file beneath the desk lamp. He stops at a line; the camera's shallow focus keeps the page soft and its words unreadable, without introducing a legible explanation. Paper movement ceases while rain taps the high window.
beat-2：A fixed close-up... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/f5d89f4b7cf546e1982d89c655810c49e338a6b825b6f07dcb6f799db96ee849.png",
"sha256": "f5d89f4b7cf546e1982d89c655810c49e338a6b825b6f07dcb6f799db96ee849",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | old_archive_2 | 25 | old_archive | old_archive_1 | beat-1：An oblique fixed close-up frames Earl's hands and the still-unreadable open file. He closes it with a subdued paper-and-board sound; no title or line becomes legible in the movement.
beat-2：An eye-level medium tracking view follows Earl from the reading table down the clear shelf aisle to the exit. He opens the ... | 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/old_archive_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/c671ab40776fee893b7c6d04fca0a48a4d0928a5d875b55c6e70b90ec55b16f7.png",
"sha256": "c671ab40776fee893b7c6d04fca0a48a4d0928a5d875b55c6e70b90ec55b16f7",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | archive_rain_exit_1 | 26 | archive_rain_exit | old_archive_2 | beat-1：The eye-level medium tracking view continues Earl's movement across the archive threshold into the rain, maintaining his face and upper body as the warm doorway recedes. Earl opens the umbrella and walks toward the streetlamp; water leaks through the canopy onto his hair and coat rather than leaving him dry. His... | 6 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/archive_rain_exit_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/archive_rain_exit_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/archive_rain_exit_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/4b6a6bc260e7dcbf2e7688a947e7b05cc1d76cc6f7eeed6846ec983611704dbe.png",
"sha256": "4b6a6bc260e7dcbf2e7688a947e7b05cc1d76cc6f7eeed6846ec983611704dbe",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | country_wasteland_1 | 27 | country_wasteland | archive_rain_exit_1 | beat-1：A roadside medium-wide view pans with the rust-red car as it rounds the shallow bend through wasteland, keeping the chipped body and moving wheels large enough to register. Earl, driver, is visible behind the windshield rather than standing beside the vehicle. EARL（画外音）: "Then I bought a car. Worthless, but it r... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/country_wasteland_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/country_wasteland_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/country_wasteland_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/4406c675558409d5ca3542e0bd66bb8c1bf6d5a105eb20cc51d95e91ecc1e927.png",
"sha256": "4406c675558409d5ca3542e0bd66bb8c1bf6d5a105eb20cc51d95e91ecc1e927",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | coastal_road_1 | 28 | coastal_road | country_wasteland_1 | beat-1：A medium lateral tracking view travels alongside the rust-red car through the coastal curve, with the stone barrier and sea beyond remaining legible behind it. Earl is visible through the near window, his graying temples and steady driving face clear enough to distinguish from his searching years. EARL（画外音）: "I ... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/coastal_road_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/coastal_road_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/coastal_road_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/678c772310eca03a556292cf0b68653bd28c9098f7d0c41bc28b8b93b2eca81b.png",
"sha256": "678c772310eca03a556292cf0b68653bd28c9098f7d0c41bc28b8b93b2eca81b",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | road_tunnel_1 | 29 | road_tunnel | coastal_road_1 | beat-1：A passenger-side medium-close view rides inside the moving car, holding Earl's profile and the dashboard photographs in the same composition. Repeating amber tunnel lights sweep across his face and the taped paper, replacing the coast's open blue reflections. The engine briefly grows hollow in the enclosed space... | 5 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/road_tunnel_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/road_tunnel_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/road_tunnel_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/554c068a4a31695f96da5dc0e56f989b641008798bb592cee86b3c4201ffb8da.png",
"sha256": "554c068a4a31695f96da5dc0e56f989b641008798bb592cee86b3c4201ffb8da",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | sea_cliff_1 | 30 | sea_cliff | road_tunnel_1 | beat-1：An eye-level medium-wide view holds the rust-red car stopping on the gravel turnout, with the stone boundary and rock shelf establishing the sea's direction. Earl opens the driver's door and steps out, leaving the car behind him as the wind catches his traveling coat.
beat-2：A sea-side medium view faces Earl fro... | 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_1/shot.json | [
{
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"path": "onepass_inputs/assets/images/423c2b94a8d3ef3f150a374e0f497fb2c0ee25c1f044713bdf2b31d00998fedd.png",
"sha256": "423c2b94a8d3ef3f150a374e0f497fb2c0ee25c1f044713bdf2b31d00998fedd",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | sea_cliff_2 | 31 | sea_cliff | sea_cliff_1 | beat-1：A fixed close-up from slightly below eye level holds Earl's wind-battered face as his laugh settles. He looks out toward the sea beyond the camera, his graying temples and the weathered skin around his eyes clear in the open light. EARL（画外音）: "My friend asked me to see the sea. So I saw all the seas there are — ... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/686f39f650f28d5c59a98ea575923830c4b2e44e7f60131f576fdb79a902d265.png",
"sha256": "686f39f650f28d5c59a98ea575923830c4b2e44e7f60131f576fdb79a902d265",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | sea_cliff_3 | 32 | sea_cliff | sea_cliff_2 | beat-1：A fixed close view from the car's rear interior frames the small rearview mirror above the empty passenger seat. Earl is back at the wheel; his graying temples and eyes are sharp in the mirror while the unoccupied, scuffed seat remains readable below and beside it. No remembered passenger appears. Wind outside a... | 6 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sea_cliff_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/33e252fd18089974191bc6ce8181d4d5f94805abef15ccaae959ab41b50ce507.png",
"sha256": "33e252fd18089974191bc6ce8181d4d5f94805abef15ccaae959ab41b50ce507",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | venice_reunion_1 | 33 | venice_reunion | sea_cliff_3 | beat-1：An eye-level medium tracking view travels with the gondola toward the bridge, holding Earl, venice, seated above pink-gold water. Laundry and candle-orange windows pass behind him, with distant music soft across the canal. EARL（画外音）: "Last stop, Venice. I only meant to see a bridge."
beat-2：A medium view from th... | 13 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/e614f1e17eaa5fa5e92fa438a953540826064dd0bea3d69290b8dff326e034b5.png",
"sha256": "e614f1e17eaa5fa5e92fa438a953540826064dd0bea3d69290b8dff326e034b5",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | venice_reunion_2 | 34 | venice_reunion | venice_reunion_1 | beat-1：A fixed eye-level medium-long view along the bridge shows Earl and Valentina now facing one another from opposite ends of its crest, with the landing route omitted between shots. The worn parapets converge between them; neither moves, and the distance is allowed to remain visible while canal sounds and distant m... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/ad42d8d4f8c9623fc76bf7bf68d83cc33ad4a47be2d3abde2b065ce2ef2871b3.png",
"sha256": "ad42d8d4f8c9623fc76bf7bf68d83cc33ad4a47be2d3abde2b065ce2ef2871b3",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | venice_reunion_3 | 35 | venice_reunion | venice_reunion_2 | beat-1：A fixed close-up from Valentina's side of the established eyeline holds Earl's face, his gaze dropping toward her open hand before returning to her eyes. The bright shell boat remains outside this crop; the camera stays with the recognition rather than replaying its reveal. EARL（画外音）: "She said she'd looked for ... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/cedb514e508d4b210dd98b5f4b0840f2d1e942f2940f1c96079b7216a9a2b64a.png",
"sha256": "cedb514e508d4b210dd98b5f4b0840f2d1e942f2940f1c96079b7216a9a2b64a",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | venice_reunion_4 | 36 | venice_reunion | venice_reunion_3 | beat-1：A water-level medium two-shot drifts beside the gondola, where Earl and Valentina now sit side by side beneath the bridge. Their long shadows lie across the water, and her hand still cradles the shell boat between their knees; the change of position is an intentional cut, not a repeated boarding sequence.
beat-2... | 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_4/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_4/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/venice_reunion_4/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/2740349d89ab620a19de91800b700e8202031365cf22f29879c7d070d042bc0e.png",
"sha256": "2740349d89ab620a19de91800b700e8202031365cf22f29879c7d070d042bc0e",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | the_after_1 | 37 | the_after | venice_reunion_4 | beat-1：An eye-level medium tracking view moves beside Earl, after, walking slowly along the misty road, keeping his face and shoulders readable as childhood straw comes into view beside the path. He turns toward the straw and nods, then continues without retracing the step. EARL（画外音）: "When you go, you walk your whole ... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/4673cbc1553be4a75648a126ceb7f267abb869a86434d4dbf45e03cc2226d7bb.png",
"sha256": "4673cbc1553be4a75648a126ceb7f267abb869a86434d4dbf45e03cc2226d7bb",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | the_after_2 | 38 | the_after | the_after_1 | beat-1：A medium view along the road reveals Valentina, aged, waiting ahead beyond the bridge with her hand extended toward Earl. Earl approaches from the near side of frame; the camera gently tracks with him, preserving the closing distance until their faces and hands share a readable medium-close composition. EARL（画外音... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/the_after_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/dc6e2f87b078e403d1f64cb9d03ca457dd74f1dfea569aea57b98751ea6a840a.png",
"sha256": "dc6e2f87b078e403d1f64cb9d03ca457dd74f1dfea569aea57b98751ea6a840a",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | kitchen_farewell_1 | 39 | kitchen_farewell | the_after_2 | beat-1：An eye-level medium view returns to Earl seated at the kitchen table, his hand resting completely still on the wood. The shelf lamp behind him is dark; only laptop-blue reaches his white hair and face, and Sebastian's red-eyed image is visible on the screen opposite him.
beat-2：A close view of the laptop screen ... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/1f887f49440f5628235625408483e4439213cd6375186e4081a350ace640e26e.png",
"sha256": "1f887f49440f5628235625408483e4439213cd6375186e4081a350ace640e26e",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | kitchen_farewell_2 | 40 | kitchen_farewell | kitchen_farewell_1 | beat-1：A fixed table-level close-up holds Earl's still hand in the screen's blue pool, the worn wood occupying the surrounding negative space. His hand slips down and out of the frame, without a new gesture or a stated cause.
beat-2：A straight-on close view of the laptop screen gives Sebastian's reaching hand and red-e... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/kitchen_farewell_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/75c4e36e68024a56a494342433c0aedfd048798f2584a21ac8cd7f734eadbe0c.png",
"sha256": "75c4e36e68024a56a494342433c0aedfd048798f2584a21ac8cd7f734eadbe0c",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | sebastian_room_1 | 41 | sebastian_room | kitchen_farewell_2 | beat-1：An eye-level medium view holds Sebastian, years_later, at the worktable beside the sea-facing window. He searches through Earl's things in the open box and turns up the calfskin letter; his older face and the different daylight room establish the years that have passed.
beat-2：An oblique close-up frames Sebastia... | 8 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_1/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_1/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/06ac2c6fa218b42f1ac2109d50aa1b464d3cc5093dc1bf35ae13c1bbc8137dd4.png",
"sha256": "06ac2c6fa218b42f1ac2109d50aa1b464d3cc5093dc1bf35ae13c1bbc8137dd4",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
3-mins_a_life_screenplay | sebastian_room_2 | 42 | sebastian_room | sebastian_room_1 | beat-1：An eye-level medium-close view from the window side holds Sebastian's face and the upper half of the open letter, with Earl's paper box soft behind his forearm. He begins reading aloud, his gaze moving along Valentina's handwriting rather than addressing the camera. SEBASTIAN: "Earl, I missed most of the things ... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_2/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_2/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/46769ebe5933dfd0d7c857896796b9cfefbce373a1fa049fd9630e45da619eaf.png",
"sha256": "46769ebe5933dfd0d7c857896796b9cfefbce373a1fa049fd9630e45da619eaf",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_a_life_screenplay | sebastian_room_3 | 43 | sebastian_room | sebastian_room_2 | beat-1：The fixed close-up continues on Sebastian's face from the previous image, his eyes still lowered toward the open letter. He continues the reading without beginning again. SEBASTIAN: "The parts you got wrong — those are the parts you loved me most. So don't fix them. — V."
beat-2：An oblique downward close-up foll... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_3/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_3/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_3/shot.json | [
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3-mins_a_life_screenplay | sebastian_room_4 | 44 | sebastian_room | sebastian_room_3 | beat-1：An eye-level medium-close view from beside the worktable holds Sebastian bringing the open letter to his chest, his palms flattening it gently against his pale blue shirt. The sea-facing window occupies the space toward which he turns his face. EARL（画外音）: "...had me a life, did I?"
beat-2：A close three-quarter v... | 12 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_4/prompt.txt | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_4/whitebox.mp4 | onepass_inputs/films/3-mins_a_life_screenplay/shots/sebastian_room_4/shot.json | [
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5-mins_campfire_square | campfire_square_1 | 1 | campfire_square | null | beat-1：从收拢木摊之间望向中央火堆区的略高固定全景，低矮篝火占画面下部，石拱门与稀疏城楼灯火留在远处冷暗背景，罗恩独自坐在火堆旁的旧石阶上。深焦保留空广场、入口通道和他与火的距离，暖色只覆盖很小的一圈石砖；夜风掠过，火星被吹起后落下，木柴轻响，没有对白。
beat-2：从火堆与入口通道连线的木摊一侧取平视固定中景，罗恩由膝上至头部入画，坐在画面右侧石阶边，面向左侧篝火，斗篷垂在身后。焦点保留他前倾的上身与伸向火边的双手，他安静看火，手掌持续承接暖光，四周无人回应，细碎燃烧声维持静默。
| 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_1/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_1/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_1/shot.json | [
{
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"sha256": "682125754d1dc532fc64f8cd6ee6f5cb8af93aac223af5f6e7adc4786b4c05d2",
"evaluation_role": "generation_only"
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"path": "onepas... |
5-mins_campfire_square | campfire_square_2 | 2 | campfire_square | campfire_square_1 | beat-1：贴近火边、斜侧俯看的固定手部特写，罗恩伸出的双手与一截旧皮甲袖口占据画面，掌心朝向画外下方的火心，冷暗石阶退成虚背景。焦点落在火光照红的指节和手背，手指有细微活动，烤火姿态保持到动作落定；火焰噼啪声近而轻。
beat-2：从火堆侧缘取略俯的固定近景，罗恩的一只手和将灭的木柴同时处在清晰范围，灰暗的柴端与较亮火心形成可读距离。他将那块柴往火心拨入，木柴擦过灰烬后落稳，火星随之溅起；取景保留邻近石砖，让火星落在砖面、逐个灭掉，动作完成后才离开这一画面。
| 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_2/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_2/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_2/shot.json | [
{
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"sha256": "c67cab60aa8004ecf95e83412aa621552c406464d25939eaf7fbdf8353ca108e",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_3 | 3 | campfire_square | campfire_square_2 | beat-1：从篝火旁斜向石阶取平视固定脸部特写，罗恩的头脸占据画幅，只留少量颈肩，面向画面左下方的火心。焦点锁住眼睛与被暖光间歇照亮的脸侧，另一侧沉在夜色中；他神情冷淡，目光留在火里，不抬头搜寻周围。近处木柴轻响，远处尚无脚步，画面停留在这份未被打断的安静上。
| 5 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_3/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_3/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_3/shot.json | [
{
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"sha256": "8b07421c948f3eec4961d0e5f15b2dbf93162f215e4cbf16b1060d21a21fab72",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_4 | 4 | campfire_square | campfire_square_3 | beat-1：从广场内望向石拱门的平视固定中远景，入口通道从前景延伸到暗门洞，艾拉由门外暗处进入，独自沿通道向篝火方向走来。焦点保留她的整个人影与拱门边界，兜帽压着额头，步伐稳而不急，靴底敲击石砖由远及近；她越过门洞后，画面交给正在延续的行进。
beat-2：在入口通道木摊一侧与艾拉并行的中景跟拍，摄影机起初保持腰以下的裁切，火光先碰到她的靴尖，再沿斗篷下摆上移；摄影机随她向火堆区前进，同时缓缓抬高取景，落到腰上至头部。焦点跟随她受光的衣摆转到兜帽下的脸，最终清楚呈现冷而坚毅、没有笑意的眉眼，佩剑随步伐自然移动；脚步保持原有节拍，她仍向石阶对面的停步位置走近。
| 13 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_4/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_4/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_4/shot.json | [
{
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"sha256": "b3f29e66b5b04c33a7d36a5159dfb97ec84776c14dade6a9bf31414bb661ea6d",
"evaluation_role": "generation_only"
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"path": "onepas... |
5-mins_campfire_square | campfire_square_5 | 5 | campfire_square | campfire_square_4 | beat-1：从中央火堆区的木摊一侧取平视固定关系中景，罗恩坐在右侧旧石阶上，艾拉在左侧火堆对面停下，离火一两步，两人之间保留低矮火焰。焦点兼顾艾拉冷脸与罗恩仍伸在火边的手，他没有立刻抬头，她停稳后看着他，靴声止住，燃烧声显得更近。
beat-2：从艾拉面向石阶的斜侧取固定手部近景，裁切到斗篷内侧、腰间佩剑和伸入衣内的手，背景只留虚化火光。她掏出沉甸甸的金币布袋，绳结与受重量撑起的袋底清晰可辨；袋身随手晃一下，金币在袋里轻轻碰响，最后布袋悬在她手中，尚未抛出。
| 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_5/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_5/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_5/shot.json | [
{
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"sha256": "4ab90cee600d988c7b75231b2b80b8821dd2b5904e50439b8f03ffe14fe79be1",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_6 | 6 | campfire_square | campfire_square_5 | beat-1：从火堆侧缘取平视固定双人全景，艾拉站在左侧，罗恩坐在右侧石阶，两人之间的空地、罗恩靴旁石砖和布袋的投掷路径完整入画。艾拉不仔细瞄位置，随手一甩，布袋离手越过火堆侧面的空地，落在罗恩脚边，沉重闷响盖过短暂的金币碰声；摄影机不追袋，保留她的冷淡站姿和他尚未起身的状态，待布袋落稳后切近。
beat-2：贴近旧石阶脚下的斜俯固定特写，落稳的金币布袋居中，罗恩磨旧的靴尖留在画幅边缘，灰尘积在石砖缝里。焦点落在被冲击松开的袋口与露出缝隙的几枚金币薄边，火光在边缘闪动，袋子不再被抛动，响声消退后留下火堆底声。
beat-3：从石阶侧面取固定手部近景，罗恩原本伸向火边的双手与膝部同框，布袋位于画幅外的脚边。他慢慢将双手撤离火边，垂下并... | 12 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_6/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_6/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_6/shot.json | [
{
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"sha256": "79f1803e464c79b8b43548b9d5bd583f12f0bc638a1c64941bb4a7ebc930e273",
"evaluation_role": "generation_only"
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"path": "onepas... |
5-mins_campfire_square | campfire_square_7 | 7 | campfire_square | campfire_square_6 | beat-1：从火堆侧面斜向旧石阶取平视固定脸部特写，罗恩的头脸占幅，视线从火心降向画面下方的脚边。焦点落在下垂的眼睛与冷淡脸侧，他低头看袋子，停一拍，没有抬头看艾拉；衣料轻响接住他随后前倾的动作。
beat-2：从石阶边取略俯的固定局部近景，罗恩的膝部、伸出的手和脚边金币布袋处于同一可读画面。他身体继续前倾，一只手离开膝边伸到布袋，手指碰到粗布后握住并将袋子拎离砖面；焦点跟着提起的袋身，金币低低碰响，结尾袋子已由他持有，脚边露出原先被压住的砖面。
| 8 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_7/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_7/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_7/shot.json | [
{
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"path": "onepass_inputs/assets/images/0b5a0f62e3d92444d3971f9bccf970a2884e77ba147dfeca8a72952ac5a85f01.png",
"sha256": "0b5a0f62e3d92444d3971f9bccf970a2884e77ba147dfeca8a72952ac5a85f01",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_8 | 8 | campfire_square | campfire_square_7 | beat-1：从旧石阶一侧望向艾拉的平视固定脸部特写，只留兜帽下的脸与少量肩部，火堆方向在她画面右侧，罗恩完全在画外。焦点落在她盯着罗恩的眼睛，火光照着坚硬的脸部轮廓，她不笑，也不移开视线。艾拉：「我要的东西呢？」
beat-2：从入口通道一侧斜向石阶取平视固定中近景，罗恩的脸、上身、持袋的手和身旁阶面都在裁切内。他从脚边方向抬眼看艾拉一眼，随即把手中金币布袋放到身边石阶上；焦点从这次短促对视移到袋子压在阶面上的结果，布料擦过石面，袋内金币碰响后静下来。
| 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_8/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_8/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_8/shot.json | [
{
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"path": "onepass_inputs/assets/images/a136d88e49a95d50895c1589583e6e599843a07009b58c823df6a7c46d34dbf1.png",
"sha256": "a136d88e49a95d50895c1589583e6e599843a07009b58c823df6a7c46d34dbf1",
"evaluation_role": "generation_only"
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"path": "onepas... |
5-mins_campfire_square | campfire_square_9 | 9 | campfire_square | campfire_square_8 | beat-1：从火堆侧面斜看罗恩的固定胸手近景，裁切保留旧皮甲上缘、斗篷内袋和双手，金币布袋所在阶面在画外。他伸手进入斗篷内袋，拿出掌心大小的六角形金属符文，焦点落在利落边角和细密刻痕；衣料摩擦声后，金属已清楚露在他手中，他开始抬手投向画外的艾拉。
beat-2：从火堆与入口连线的木摊一侧取平视固定双人中景，罗恩坐在右侧石阶，艾拉站在左侧，两人的上身与投递的短距离同框，低火焰只留在画面下沿。承接罗恩已抬起的手，他将六角金属丢出，艾拉抬手接住；焦点保留金属越过间隙到落入她掌中的过程，短促金属轻响伴着手掌收住，结尾符文已稳稳属于艾拉，罗恩没有站起。
| 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_9/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_9/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_9/shot.json | [
{
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"sha256": "abad8245f049d3780b9b34d3d77999df4ee684b47544dbd1e89a7920ccf54d7f",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_10 | 10 | campfire_square | campfire_square_9 | beat-1：从艾拉身前偏火堆一侧取略俯固定特写，她已接住的六角金属与双手占满主要画幅，斗篷前襟在后方，脸不入画。她把金属拿到身前并侧转一点，让篝火侧光扫过正面；焦点落在细密符文凹槽，六角轮廓与锋利边缘清楚可见，刻痕明暗依次显出，给她完整两秒的查看，只有近处火焰声。
beat-2：从火堆侧面取平视固定胸手近景，艾拉的斗篷内侧、持符文的手和衣襟扣具入画，背景保持虚暗。她查看结束，将金属收进斗篷内侧，再扣好衣襟；焦点停在金属消失于内袋和衣襟合拢的结果，布料轻响落定后，双手离开收纳处，没有再取出符文。
| 8 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_10/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_10/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_10/shot.json | [
{
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"sha256": "7c0ec547f4ed73e5e7ee0b4a394ae30538f293533095cc286d8674b4447839fa",
"evaluation_role": "generation_only"
},
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"path": "onepas... |
5-mins_campfire_square | campfire_square_11 | 11 | campfire_square | campfire_square_10 | beat-1：从火堆区木摊一侧取平视中景，摄影机随艾拉的转向轻摇，取景保持膝上至头部，罗恩和石阶均在画外。艾拉已收好符文，转身背对篝火，向入口通道迈出一步，斗篷下摆随着方向改变；焦点留在她转去的侧脸与肩背，脚步重新响起。艾拉：「谢了。」她没有回头，继续向石拱门方向迈步，画面结束时行进已经开始。
| 5 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_11/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_11/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_11/shot.json | [
{
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"path": "onepass_inputs/assets/images/e12dd79ffa2796f600bd042aeab66d56d351b705a17939c3ac6868f86584918f.png",
"sha256": "e12dd79ffa2796f600bd042aeab66d56d351b705a17939c3ac6868f86584918f",
"evaluation_role": "generation_only"
},
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"path": "onepas... |
5-mins_campfire_square | campfire_square_12 | 12 | campfire_square | campfire_square_11 | beat-1：从篝火侧缘取平视固定中近景，罗恩仍坐在旧石阶上，上身与空着的双手入画，金币布袋所在阶面裁在画外。他抬眼望向画外入口通道上的艾拉背影，身体不追随，也不站起；焦点落在冷淡的眼睛与开口的嘴，声音不高却明确。罗恩：「艾拉。」
beat-2：从入口通道木摊一侧取平视固定脸部特写，艾拉闻声停住，肩部仍朝石拱门方向，侧过脸向画面后方的火堆与罗恩看去。焦点落在她回望的眼睛，火光只照亮半边脸颊，另一半留在暗里；靴声止住，她等待罗恩说下去，短暂静默中火苗响了一下。
| 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_12/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_12/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_12/shot.json | [
{
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"sha256": "728887516a2500007bc888a4e0a928e726f0237a7e3e7030ad19dfbae60c668d",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_13 | 13 | campfire_square | campfire_square_12 | beat-1：从火堆侧面斜向旧石阶取平视固定脸部特写，罗恩的脸与少量颈肩占据画面，视线朝画外入口通道上停住的艾拉。他仍坐着，先保持未开口的冷淡目光，再缓缓说话，暖光从脸侧掠过却没有软化表情；焦点始终在眼睛与嘴部，周围空地被裁掉。罗恩：「你未必会想去那，那里不是你想的那样简单。」话落，他继续看着同一方向，把等待留给画外的艾拉。
| 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_13/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_13/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_13/shot.json | [
{
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"sha256": "3dd4ba2447f0ef4708f934cd115750d8af1a613800d08e8447d53ccb14c0e261",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_14 | 14 | campfire_square | campfire_square_13 | beat-1：从火堆方向斜望入口通道的平视近景，摄影机固定，艾拉肩部仍朝石拱门，脸已侧向罗恩，裁切保留腰上至头部。她承接这次回望，转过身正面朝向画外石阶上的罗恩；斗篷随身体转过后落下，转身完成，脸色仍冷而坚毅，没有趋近他的动作。
beat-2：从相容的火堆侧观察方向取平视固定脸部特写，艾拉兜帽下的头脸占画幅，只留少量肩部。焦点落在直视罗恩的眼睛与说话的嘴，她不改主意，语气清楚克制。艾拉：「无论如何我会去的。」说完她保持这次正面对视，随后目光离开他，肩部开始转向石拱门，不再补一句话。
| 8 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_14/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_14/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_14/shot.json | [
{
"picture_number": 1,
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"sha256": "b9ab72155e6210a9ccc0285f52c2341cc557979e94d6806755af6b6c2fdd5115",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
5-mins_campfire_square | campfire_square_15 | 15 | campfire_square | campfire_square_14 | beat-1：从入口通道木摊一侧取平视中景跟拍，艾拉承接已经开始的转向，毅然背过篝火，斗篷一摆，沿通道朝石拱门走去。摄影机与她并行，保持膝上至头部和兜帽侧缘的裁切，焦点留在她不回望的侧脸与向前的肩背；暖光随她离开火堆区逐渐退下，稳定靴声重新占据安静广场，镜尾她仍在向门洞走。
beat-2：从石阶侧面取略俯固定手部近景，罗恩的双手、膝边与火堆侧缘同框，金币布袋放置处留在画外。他仍坐在原处，将双手重新伸向篝火，掌心转向暖光；焦点落在再次受光的指节，艾拉的脚步声在画外继续向拱门退远，动作落定后只剩烤火的双手与轻响火焰。
| 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_15/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_15/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_15/shot.json | [
{
"picture_number": 1,
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"sha256": "1d799023056f0b5a3af2d34a668deeb84fd31c172e463988e6f12bc5253493c8",
"evaluation_role": "generation_only"
},
{
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"path": "onepas... |
5-mins_campfire_square | campfire_square_16 | 16 | campfire_square | campfire_square_15 | beat-1：从中央火堆区一侧望向入口的平视固定中远景，取景收在石拱门与门前最后一段通道，罗恩和篝火不入画。艾拉已走到门前，背影处于拱门内缘，焦点保留她与暗门洞的分界；她继续跨过磨损门槛，身影走入拱门外更暗的街巷并消失，靴声随之退去。摄影机留在已经空下来的门洞，远处城楼几点灯不变，画外篝火细响延续，没有人追来，也没有新的对白。
| 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_16/prompt.txt | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_16/whitebox.mp4 | onepass_inputs/films/5-mins_campfire_square/shots/campfire_square_16/shot.json | [
{
"picture_number": 1,
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"sha256": "f460266ee80fe86d016f99d0d0b7f95be2bb988e7a9198d2e88254107b0f379c",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | city_square_1 | 1 | city_square | null | beat-1：A wide, elevated establishing view tilts down from the castle between lush rolling hills to the busy square, settling on the fountain and the carriage lane. Peasants, merchants, nobles, knights, guards and fantasy creatures weave between stalls and horse-drawn traffic as Harrow and Doyle haul the ropes at the tw... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/city_square_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/city_square_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/city_square_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/b920937a50ee40f7cb04113e7b72af0b08a398d47f82c76be20284236c30e65c.png",
"sha256": "b920937a50ee40f7cb04113e7b72af0b08a398d47f82c76be20284236c30e65c",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | city_square_2 | 2 | city_square | city_square_1 | beat-1：A shoulder-height view from behind Harrow and Doyle keeps their shoulders low in the foreground and the carriage lane clear beyond them. The royal carriage passes the fountain, its two coach drivers visible on the front bench; Harrow and Doyle instantly straighten to attention as the wheels rattle over the cobbl... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/city_square_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/city_square_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/city_square_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/512b3e1bae60cb15d28fd5587f637dbd4a773281494a94d18be0cc8b228705e0.png",
"sha256": "512b3e1bae60cb15d28fd5587f637dbd4a773281494a94d18be0cc8b228705e0",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | prince_bedroom_1 | 3 | prince_bedroom | city_square_2 | beat-1：A fixed medium-wide view from the bed's side holds the ridiculous distance between Charming hunched on the enormous mattress at frame left and Harrow standing upright several feet away at frame right. Charming is in morning_disarray, staring at the floor; Harrow holds his open notebook and pen, while Smith waits... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/053bc6d88c70cfe7bd6488dcc5eb9664d726553b323a5d11746db3ff8999b6ac.png",
"sha256": "053bc6d88c70cfe7bd6488dcc5eb9664d726553b323a5d11746db3ff8999b6ac",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | prince_bedroom_2 | 4 | prince_bedroom | prince_bedroom_1 | beat-1：A fixed medium close-up observes Harrow from Charming's seated eyeline, keeping his mustache and thoughtful eyes sharp while cropping the notebook below the frame. He considers the statement with complete sincerity and says, "That does narrow down when she left." A tiny pause lands without a smile.
beat-2：A fixe... | 13 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/2d15f6c843a077a581590262fafd3a0d7dd102017c5f743c95590fe4e2d4495d.png",
"sha256": "2d15f6c843a077a581590262fafd3a0d7dd102017c5f743c95590fe4e2d4495d",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | prince_bedroom_3 | 5 | prince_bedroom | prince_bedroom_2 | beat-1：A medium side view holds Charming from the knees upward at the bed edge, with enough mattress visible behind him for the movement. He slowly falls backward onto the rumpled bed and stares at the ceiling, saying, "We had something." Harrow enters the edge of the composition from the questioning area, stepping clo... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_3/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_3/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/54348f8439faaad2e5b76869cb33b2c631b5b114b0ff27577fc7211086733ecd.png",
"sha256": "54348f8439faaad2e5b76869cb33b2c631b5b114b0ff27577fc7211086733ecd",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | prince_bedroom_4 | 6 | prince_bedroom | prince_bedroom_3 | beat-1：A fixed close-up holds Harrow's face beside the bed, excluding the notebook and allowing the Prince's answer to leave a long, completely expressionless silence. Harrow slowly looks toward Smith rather than responding.
beat-2：A close view of Smith from Harrow's side of the room catches Smith avoiding the offered ... | 13 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_4/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_4/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_4/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/14e9eb84a376d0d55b5e37cb0032da5fa065658e519bca6c7e4549b48d0ea6ba.png",
"sha256": "14e9eb84a376d0d55b5e37cb0032da5fa065658e519bca6c7e4549b48d0ea6ba",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | prince_bedroom_5 | 7 | prince_bedroom | prince_bedroom_4 | beat-1：A tight hand-level insert from the window side frames Doyle's hand coming from behind his back and raising the glass slipper into the morning light. His cuff establishes ownership, and the clear upper and thick heel become readable as a bright reflection travels across the glass; his breath quiets.
beat-2：A clos... | 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_5/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_5/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/prince_bedroom_5/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/5a814eab80ce0742cd9560dff1805dcd5a432876aba42fbecafefd7531a89e05.png",
"sha256": "5a814eab80ce0742cd9560dff1805dcd5a432876aba42fbecafefd7531a89e05",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | private_corridor_1 | 8 | private_corridor | prince_bedroom_5 | beat-1：A medium tracking shot moves parallel to Harrow and Doyle as they walk quickly from the bedroom doors toward the servants' stairwell, maintaining their faces and Doyle's slipper-bearing hand in the frame. Distant cleaning sounds and their brisk footfalls replace the bedroom silence. Doyle stops beside the recess... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/private_corridor_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/private_corridor_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/private_corridor_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/98c728ac1ecdd196c11932d533d72b9ef2ad91e0f384b37948046b2ab2a4ea2b.png",
"sha256": "98c728ac1ecdd196c11932d533d72b9ef2ad91e0f384b37948046b2ab2a4ea2b",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | security_records_room_1 | 9 | security_records_room | private_corridor_1 | beat-1：A close oblique insert matches the corridor's downward attention to the huge handwritten guest ledger opening across the records desk. Smith's hand spreads the leaves and his finger rapidly follows the ruled columns, with the ink entries and orderly column structure legible as handwriting rather than invented ne... | 13 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/security_records_room_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/security_records_room_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/security_records_room_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/1022df5b4200d0cea80a38d3107064187b0dd7a5139109222059b640bd9eede7.png",
"sha256": "1022df5b4200d0cea80a38d3107064187b0dd7a5139109222059b640bd9eede7",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | ballroom_entrance_1 | 10 | ballroom_entrance | security_records_room_1 | beat-1：A brief fixed medium two-shot places Harrow opposite the royal guard beside the enormous timber doors, the doorjamb fixing the guard's station in the composition. Harrow's notebook is open between them as he asks, "You see her come in?" Quiet cleaning continues deep beyond the entrance.
beat-2：A face close-up fr... | 11 | 16:9 | vol_agent_skill_reauthored | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/0846ea88221aca5808ec64462e6419418e1cca48bf8d25f3203defdfcca1a36e.png",
"sha256": "0846ea88221aca5808ec64462e6419418e1cca48bf8d25f3203defdfcca1a36e",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | ballroom_entrance_2 | 11 | ballroom_entrance | ballroom_entrance_1 | beat-1：A fixed medium two-shot from the landing keeps Harrow, the guard and the great breadth of the adjacent ballroom doors readable. Harrow looks from the doors back to the guard; neither man moves from his questioning position.
beat-2：A fixed face close-up isolates Harrow as he says, "You were on the door." His eyes... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/ballroom_entrance_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/5eac1029b76dc778d24f35202231039f253b45940a41f9b7f87366a47fa91199.png",
"sha256": "5eac1029b76dc778d24f35202231039f253b45940a41f9b7f87366a47fa91199",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | carriage_court_1 | 12 | carriage_court | ballroom_entrance_2 | beat-1：A low-angle medium two-shot from near the track ending looks up at Doyle and Harrow as both stare down, with the castle rising behind their shoulders. Wet gravel compresses beneath their boots, and the off-frame object holds their attention.
beat-2：A fixed downward insert reveals the rotting pumpkin beside the e... | 10 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/carriage_court_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/carriage_court_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/carriage_court_1/shot.json | [
{
"picture_number": 1,
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"sha256": "facad22f1caf491a6d68cff9e4dd885ec7a3bbf437b56b66cbddead29e9cb703",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | suspect_lineup_1 | 13 | suspect_lineup | carriage_court_1 | beat-1：A fixed wide frontal view shows seven fairy-tale criminals shoulder-to-shoulder against the marked stone wall. Hook stands relaxed at one end, almost enjoying himself; Rumpelstiltskin is farther down the line, visibly irritated; the witch's shoulders shake with manic laughter; Red angles her body like a supermod... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_1/shot.json | [
{
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"path": "onepass_inputs/assets/images/19eb1db1fcc3e3eb98805052324e739b59ae4c085ad298c8057a2659e9e73423.png",
"sha256": "19eb1db1fcc3e3eb98805052324e739b59ae4c085ad298c8057a2659e9e73423",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | suspect_lineup_2 | 14 | suspect_lineup | suspect_lineup_1 | beat-1：A tight fixed face insert isolates Hook against the marked wall, his confident smile smooth and composed as the witch's laughter continues off-frame.
beat-2：A tight three-quarter close-up isolates Rumpelstiltskin farther down the same wall. His irritated eyes shift away and he tries to hide his face behind his r... | 7 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_2/shot.json | [
{
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"sha256": "2d6cc785edcfcf02cd870ab79bac3ad14d60c3430dd3ecc691dd4bb9a46a9805",
"evaluation_role": "generation_only"
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"picture_number": 2,
"path": "onepas... |
3-mins_charmed | suspect_lineup_3 | 15 | suspect_lineup | suspect_lineup_2 | beat-1：A frontal medium two-shot inside the observation bay places Harrow beside Doyle, facing the off-frame mirror. Harrow calmly points toward Hook's position beyond the frame and says, "That one." He lowers his hand, turns toward the iron side door and walks out of the composition; Doyle stays at the sill. The witch... | 6 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_3/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_3/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/suspect_lineup_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/7d6023fee6c5f5a65bbe69a995f18e4c1ce668518fa7ff0fbde83096b32f19a7.png",
"sha256": "7d6023fee6c5f5a65bbe69a995f18e4c1ce668518fa7ff0fbde83096b32f19a7",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_hook_1 | 16 | interrogation_hook | suspect_lineup_3 | beat-1：A top-down close-up of the scarred table frames Harrow's hand lowering the glass slipper onto the wood. The glass makes a small clean contact sound; Harrow's hand withdraws, leaving the shoe settled between the opposing seats.
beat-2：A medium close view over Harrow's shoulder shows Hook seated opposite, his face... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/b1b22970a36061f3e8aa69fb78b4b5445e1ca35880d463964d9790f7397515a9.png",
"sha256": "b1b22970a36061f3e8aa69fb78b4b5445e1ca35880d463964d9790f7397515a9",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_hook_2 | 17 | interrogation_hook | interrogation_hook_1 | beat-1：A medium close view over Harrow's shoulder returns to Hook holding the slipper above the table. Hook lowers it back onto the scarred wood and says, "Means this wasn't always a shoe." The contact settles beneath the line, his good hand releasing it only once.
beat-2：A fixed face close-up gives Hook's slight, shee... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/85276aa32ffb0e87213bb9ea771677b2704e30a848ff4914f5d780931a250596.png",
"sha256": "85276aa32ffb0e87213bb9ea771677b2704e30a848ff4914f5d780931a250596",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_hook_3 | 18 | interrogation_hook | interrogation_hook_2 | beat-1：A medium close view from behind Hook's shoulder keeps Harrow's face and forward lean sharp across the table, with the settled slipper low in the frame. Doyle stands silently by the iron door in the deeper plane. Harrow asks, "Who does this?" Hook laughs heartily from the foreground, then says, "Plenty of people ... | 9 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_3/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_3/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_hook_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/ccd24da29e7c315d6125219e84d7c9d5fcd806a49fdd25321dfaa40e14758ba9.png",
"sha256": "ccd24da29e7c315d6125219e84d7c9d5fcd806a49fdd25321dfaa40e14758ba9",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_1 | 19 | interrogation_rump | interrogation_hook_3 | beat-1：A medium-wide view from behind Rumpelstiltskin's seated shoulder shows Harrow approaching along the table's pacing side. Doyle sits beside the door recess reading the thick parchment charge sheet as routine administrative work, and the confiscated spinning wheel stands plainly beside him, its spokes and treadle ... | 11 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_1/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_1/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_1/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/58e582fd1b7be046f3fd3bb0d4c91e055c8599059d85a20c1498aabc57e97527.png",
"sha256": "58e582fd1b7be046f3fd3bb0d4c91e055c8599059d85a20c1498aabc57e97527",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_2 | 20 | interrogation_rump | interrogation_rump_1 | beat-1：A fixed face close-up looks at Harrow from Rumpelstiltskin's seated eyeline. Harrow asks, "Whose?" without altering his calm expression.
beat-2：A medium close view across the table shows Rumpelstiltskin placing the slipper back on the wood, his fingers releasing the upper as he says, "I don't sell names." He loo... | 10 | 16:9 | vol_agent_skill_reauthored | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_2/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_2/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_2/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/b50390af73d273cfbe4b617ab30c6bfa7e0f28dc4ff46fa75d09820da9fa4e59.png",
"sha256": "b50390af73d273cfbe4b617ab30c6bfa7e0f28dc4ff46fa75d09820da9fa4e59",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_3 | 21 | interrogation_rump | interrogation_rump_2 | beat-1：A fixed face close-up isolates Rumpelstiltskin against the dim stone wall. His defiant expression changes into genuine alarm, his eyes suddenly fixed on Harrow rather than the evidence. He asks, "How d'you know that name?" The camera stays close while the question's implications register; there is no comic recoi... | 6 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_3/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_3/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_3/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/ac630724da0caa48e0db636ae2e3079c5055cac13d7f716b91edf6c5a99d8c7f.png",
"sha256": "ac630724da0caa48e0db636ae2e3079c5055cac13d7f716b91edf6c5a99d8c7f",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_4 | 22 | interrogation_rump | interrogation_rump_3 | beat-1：A wide view from behind Rumpelstiltskin keeps Harrow, the scarred table and the wall-side pacing strip in a single readable relationship. Harrow picks up the slipper from the tabletop and begins pacing toward the barred-window end, holding the evidence without examining it. He says, "I know an unidentified girl ... | 12 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_4/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_4/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_4/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/8e2fc3fa4dc6bd3ecea9248f75b47f0b83b02cae5b8cb92bea5fb288a70102f3.png",
"sha256": "8e2fc3fa4dc6bd3ecea9248f75b47f0b83b02cae5b8cb92bea5fb288a70102f3",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_5 | 23 | interrogation_rump | interrogation_rump_4 | beat-1：The wide view from behind Rumpelstiltskin continues as Harrow reaches the barred-window end of the pacing strip with the slipper still in hand. He turns back toward the table and says, "Got past palace security, into the Prince's bedchamber." He returns along the same strip while Rumpelstiltskin stays seated and... | 14 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_5/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_5/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_5/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/dc5d9687505c801ec452fd09db2e4d120facd8e34abc3c9899354d95a11e448a.png",
"sha256": "dc5d9687505c801ec452fd09db2e4d120facd8e34abc3c9899354d95a11e448a",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_6 | 24 | interrogation_rump | interrogation_rump_5 | beat-1：A medium close view across the table shows Rumpelstiltskin looking at Harrow, then reluctantly reaching for the settled slipper. He lifts it and begins a proper examination, his eyes narrowing with professional concentration as his tone changes: "No curse. No contract."
beat-2：A close oblique insert frames the s... | 15 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_6/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_6/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_6/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/81171289668d179ad72757be77d349583e80fcac30442bf215055ac27f0bd445.png",
"sha256": "81171289668d179ad72757be77d349583e80fcac30442bf215055ac27f0bd445",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
3-mins_charmed | interrogation_rump_7 | 25 | interrogation_rump | interrogation_rump_6 | beat-1：A medium view frames Rumpelstiltskin from the waist upward at the table, his face and the slipper both within the composition. He sets the shoe down and withdraws his hand; he no longer looks amused. Looking toward Harrow, he says very seriously, "You're looking for the Godmother." Hold his sober expression and ... | 8 | 16:9 | original_primary_video_submission | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_7/prompt.txt | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_7/whitebox.mp4 | onepass_inputs/films/3-mins_charmed/shots/interrogation_rump_7/shot.json | [
{
"picture_number": 1,
"path": "onepass_inputs/assets/images/cccb8da4c096719d42f2ae82ab2d71faa1612de1829635ef1b2f25b4edba9c5a.png",
"sha256": "cccb8da4c096719d42f2ae82ab2d71faa1612de1829635ef1b2f25b4edba9c5a",
"evaluation_role": "generation_only"
},
{
"picture_number": 2,
"path": "onepas... |
End of preview. Expand in Data Studio
VOLBench One-Pass Video Inputs
VOLBench provides video generation inputs for 17 films and 384 shots. Each shot includes a whitebox reference video, numbered reference images, a generation prompt, and the initial storyboard beat. Campfire Square uses the original 16-shot version.
Dataset layout
- Test split has one row per shot in film order. The
ordinalfield is one-based within each film.previous_shot_idis null at the start of a film. - Generation package contains the media and per-shot manifests. Paths in the test split are relative to the repository root. Reference files are shared by content hash, while each shot preserves its original picture order.
- Evaluation package provides the seven-dimension rubric, beat manifests and scoring code. The dataset viewer shows the shot metadata and file paths. Download the repository snapshot to obtain the media and run generation or evaluation.
Download the evaluation code and beat manifests as a ZIP. Extract it into onepass_inputs/ so the evaluation/ folder sits beside films/ and manifest.json.
Generate and score
Use the whitebox as the video reference and upload the ordered images with the full generation prompt. Save the resulting clip as result.mp4 in the corresponding shot directory. Generate one result per shot.
After installing the evaluation requirements and setting EASYAPI_API_KEY, run these commands from the repository root:
python3 onepass_inputs/evaluation/run.py --check
python3 onepass_inputs/evaluation/run.py --preflight
python3 onepass_inputs/evaluation/run.py --out evaluation_results
The evaluation uses the current initial beat as the text target. The previous clip is used for the cut between shots. Reference frames used only for generation are excluded from scoring. This release contains generation inputs and evaluation code. Generated clips and evaluation scores are produced separately.
Prompt revision 4 retains 372 first-submission prompts and includes 12 skill-authored replacements. The original text of those 12 is kept beside the replacement. See prompt provenance.
Upload
After authenticating with the Hugging Face CLI, upload this folder to a dataset repository with hf upload OWNER/REPO . --repo-type dataset. Set the dataset's license and visibility according to the asset owner's release terms.
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